Library with a collection of 26,000 documents (monographs, CDs, DVDs and periodicals) which can be consulted locally or through the Document Database.

Set of two outdoor pools and two indoor pools.

Small wooden windmill, located in a high and unpopulated area.

The building dates back to 1974 and features a staggered main façade. The porch with its Tuscan columns, which gave it its name, no longer exists, leaving only two arches on the lower level. It has been renovated and currently houses the Tourist Office.

The PO.RO.S – Portugal Romano Museum in Sicó presents the theme of Romanization, paying particular attention to its influence on the Sicó region. This interactive experience focuses on the Condeixa municipality's museum collection and high-quality content produced by leading experts on the Roman presence in Portugal. Furthermore, contemporary museography supported by cutting-edge technological systems transports us on a journey back in time to the Romans.

An 18th-century palace with a façade bordered by two turrets and an entrance surmounted by a pediment rising above the cornice. The rhythm of the openings, wrought iron, stonework, and chapel are remarkable. The central section ends in a triangular gable with a coat of arms, and the rest of the façade features simple rectangular openings on the ground floor and bay windows on the main floor.

A seventeenth-century palace with three sections, the central section providing access to a courtyard with stairs leading to a balcony. It features a sober, symmetrical façade with six balconies on each side section. Currently, it houses the Town Hall.

Manueline building where stands out the gate assigned to Marcos Pires, the triumphal arch and the vault of the chancel of Diogo de Castilho. The altarpiece of the main Chapel, triptych, presents in the center pane Nossa Senhora da Graça on the side panels and the conversion of St Paul and the fall of Simon Magus, representing the primitive Portuguese painting. Note also the altars with 16th century paintings and tiles from the 17th and 18th centuries.

This site is the result of a speleological phenomenon which involves the collapse of the central part of the hill, leaving only the extreme sides visible. These sides contain holes that are nothing more than the remains of the cave that once existed on this hill.

Operating as a house museum since 1990, the highlights include the painting collection of Fernando Namora and other artists, his office collection, and a collection of manuscripts, original notes, galley proofs, published books, and annotations. You can also see some personal objects and cards, as well as a vast library with works by this and other Portuguese and international authors.