An 18th-century mansion. It was the seat of the former estate established by Martim Afonso de Melo, Bishop of Guarda.

Also known as Anta do Zambujeiro, it served as a place of worship for the dead during the Neolithic period. It preserves the corridor, burial chamber, and roof slab, although listed.

The Alcáçovas rattles are of ancient origin, handmade using a complex technique to produce sound, which depends on the thickness of the sheet and the amount of metal used. Each one has a design representing the artisan's mark (known as a coat of arms). They are worn around the necks of certain animals – such as cows or sheep – to guide others while they graze.

The longitudinal nave is divided into three sections, from which the transept arms and the two towers of the façade stand out. The façade is imposing, marked by two symmetrical lateral bell towers. The nave has a full-round vault roof, and lighting is provided by the nave's large windows. The church's entrance portal, dating from 1755, is a meticulous Rococo piece.

A temple with three naves and Doric columns, with three Baroque altars in gilded woodwork. The chancel, covered in tiles, features a Mannerist altarpiece.

It is a 13th-century building that was completely altered in the 16th century to house the chapel of São Jerônimo. Its floor plan consists of two rectangular elements arranged perpendicularly. Notable features include the courtyard portico, a small square opening in the cellars, and three Manueline-framed windows, one of which opens onto a balcony. Also, noteworthy is a single-flight staircase leading to a small portico.

Its exact foundation is unknown. However, it is mentioned in royal documents from 1320. In the 17th century, its main elevation underwent major architectural changes. It features a granite portal, a lintel, a triangular pediment topped by a stone cross, a spire at the north end, and a robust, sharp-pointed bell tower opposite, made of masonry decorated with artistic sgraffito, two eyelets, and an equal number of cast bronze bells, the oldest dating from 1772.

Originally called "Viana de a par de Alvito," the town was repopulated in the 13th century by King Gil Martins. In 1313, King Dinis granted it a charter and privileges and ordered the construction of the castle, which, rebuilt by King João II, still retains the characteristics of the original design. It is a pentagonal monument with cylindrical towers with cruciform arrow slits at its corners.

Manueline building with Mudejar influences, designed by Diogo Arruda. The church features a wide nave with a small apse flanked by two apsidioles. The main façade features a wide Manueline portal and a small openwork window with a round arch. It is decorated with 18th-century murals. Inside, the church is structured in three naves of five bays, with the apse almost embedded in the wall.

The church was built in the 16th century and later expanded and restored in the 18th century. This reconstruction was necessary due to the devastation caused by the earthquake known as Mandado de Deus (Mandate of God). The majestic façade features a portal, three large windows, and two oculus windows, not to mention the bell tower, atypical for the island's architecture. Inside, the gilded carvings and numerous paintings stand out.