Source in moat of the fortress of Valença, on the West side, between Lapa and the bulwark of St. John. Since its founding, probably 15th century, was considered the main source of the village of Valença. It consists of irregular rectangle, two massive cocks and front tank. Nearby, owned two other tanks.

Statue in honor of São Teotónio next to the Church with the same name in place of Tardinhade.

Cruise dated 1547, characterized by decoration geometry, stiffness and lack of expressiveness of the sculptures, in which appear the Lord on the cross, on one side, and of our Lady, on the other side.

Baroque cruise with great detail and decorative expressiveness, especially with regard to the representations of our Lord and our Lady of the Rosary. Both sides of the cross feature, throughout its height, decoration in relief and painted, representing image of Senhora da Piedade superimposed by symbols of the passion. The cruise is close to the Church of Verdoejo.

Armory belonging to the fortress of Valença.

The Château de Fraião constituted a significant example of Romanesque fortress, but not adapted in the Gothic era. Thus, when from the beginning of the 13th century all the regional strategic interest shifted to the line of the river Minho-especially to Valença and Monsoon-was sidelined. Currently, only remains of the Castle a granitic suite, which provides magnificent views of the Minho Valley.

Chapel in the Park of Monte do Faro. Is a 19th century building, being the exterior door of access to the choir-high of likely recent construction. Its architecture is Baroque and Mannerist.

The chapel of St. Sebastian represented the last of the four steps of the Via Sacra of Valença. The Chapel, despite the simplicity, presents simple longitudinal plant inwardly axial and lateral and lit with wooden ceiling in mixer.

Baroque chapel of longitudinal, rectangular plant, with tombstone allusive to the construction on the portal. In the Tabernacle kept the relics of the Patron Saint.

Shrines in honor of Nossa Senhora do Carmo, neo-Baroque style, showing caution, double-contracurvada cornice constructive, a defining the niche and the other shot.