20th-century religious architecture. It features a landscaped, cobbled atrium, where you can see the busts of the Viscounts of Castanheira de Pêra. Inside, you'll find the Chapel of São José, with its neo-Gothic altar in white and gold. It currently serves as the São José Nursing Home.

Located next to Poço Corga River Beach, this mill is thought to have over 400 years of history, although the first records referring to its operation as an olive oil mill date back to 1939. Due to EU legislation, it ceased to operate as a mill and is now a museum, which aims to showcase the artisanal olive oil production process.

Built in the 18th century, these wells bear witness to a rudimentary form of cold-water technology. There are three of them: one circular and two octagonal. All feature a narrow opening and a rectangular door topped by a segmental-arch brick lintel.

The Casa do Tempo was created to serve as a space for heritage preservation and a vibrant hub for cultural and educational activities. Therefore, in addition to hosting several temporary exhibitions each month, the Casa do Tempo also houses a permanent exhibition that, through contemplation of news reports from the newspaper "O Castanheirense" since January 1, 1937, and the appreciation of a collection of objects related to the wool industry, allows us to journey through the history of Castanheira de Pêra.

A monument erected in honor of the victims of the Hintze Ribeiro Bridge collapse tragedy. It is a statue of a golden angel, approximately ten meters tall. Descending some stairs next to the angel, we find a small shrine with the photos and names of the victims of the bridge collapse.

Suitable place for consulting books and audiovisual media.

Baroque chapel with a longitudinal plan, a single nave, and a chancel and sacristy on the left. It is located in a rural area, on a heavily wooded hillside.

Built in the 18th century, this manor house consists of three square towers and a chapel. The central atrium and garden feature three Rococo fountains with various statuary and a heraldic gate, also in the Rococo style.

It consists of two rectangular Hispano-Roman tombs excavated in the granite outcrop itself, of anthropomorphic typology, relatively prominent in the landscape and next to ancient paths.

Much transformed over the centuries, the Church of the Savior of Fervença, in Celorico de Basto, still preserves its Romanesque transept and its triumphal arch, as well as some capitals with geometric decoration.