XVIII century work with a magnificent baroque portal standing out. The front’s simplicity opposes to the decorative abundance inside, where the ceilings painted by the Lisbon artists António Simões and Vicente Nunes are worthy of note, as a well as a huge painting portraying D. João V, by Domenico Duprá.

Este pátio histórico deve o seu nome ao conjunto de edifícios em redor, onde funcionou, desde 1566 e até à sua extinção, em 1821, o Tribunal do Santo Ofício. Integrava ainda o primitivo Colégio das Artes e atualmente alberga o Centro de Artes Visuais.

The Almedina arch was part of the medieval walls, going back to the XI century, as the Arabian toponym that means “the city” indicates. Nowadays it is the entrance to the ancient Coimbra, where you may observe a sculpture from the João de Ruão workshop.

Monastic set with an emblematic portal. Inside are worthy of notice the manueline arched roof, the main-chapel, the sacristy, the Sala do Capítulo, the S. Teotónio Chapel and the cloister of Silence.

From the set stand out: the Porta Férrea, the Via Latina, the building of the former S. Pedro College, The Joanina Library, The S. Miguel Chapel, The Sala dos Capelos, the Sala de Exame Privado, the tower, the Gerais, and the Religious Art Museum.

Work done between the second half of the XVII century and the first half of the XVIII century. The church has a choir and a main chapel. The primitive tomb of the Rainha Santa, made by Mestre Pêro, is one single carved limestone block

The monastic set (church, cloister, and bowery) has great cultural and architectonic value. The church is an exemplar of the mendicant Gothic. Worthy of notice are the notable Hispanic Arabian glazed tiles panels, the rose-window at the occidental front and the magnificent renaissance arch that comes into view under the arch of the epistle nave.

Magnificent Jesuit temple begun in 1598. The main front, austere but elegant has two bodies from two distinct styles: classic and baroque. Inside are worthy of note the several baroque golden woodcarving altars, the organs placed on the lateral walls of the main chapel and a manueline baptistery brought from the Old See.

It is one of the most beautiful Romanic Portuguese monuments, with the exterior look of a church-fortress. The Cloister, from the XIII century, was the first gothic style work done in Portugal, after the Mosteiro de Alcobaça. Worthy of notice are the Especiosa Doorway, the Sacramento Chapel, both by João de Ruão, not forgetting the gothic tombs nucleus and the Seville’s glazed tiles.

Ruínas arqueológicas que integram uma complexidade de estruturas que nos desvendam uma multiplicidade de ocupações desde do neolítico até à idade média. É possível observar vestígios bem conservados de um templo paleocristão, sepulturas com ossadas de diferentes épocas, uma "estela antropomórfica" de grandes dimensões e um imponente Menir. A presença de uma casa senhorial e da zona balnear testemunham a importância desta "Villa Senhorial Romana".