Church of religious, Baroque and Rococo architecture. The temple shows up as an example of late Baroque regional trait, very close to the Rococo. Inside, stands out the gilded and polychrome.

Temple with rectangular nave. Features late-Baroque elements such as volutes on the pediment. The interior features elaborate sink of holy water. Highlights also include the cobblestone pavement of the churchyard.

Manueline, Mannerist and Baroque Temple. Stands out the Mannerist portal adorned with filacteras and Windings. In this space is installed the Museum of sacred art. Taking advantage of the body of the Church, the sacristy and two annexes of the late 19th century. XX, boasts an important collection of imaginary and a liturgical set of 15th-18TH CENTURY, from different churches in the municipality of Mértola. Although transformed into museum space remains linked to the cult.

Chapel of Baroque style, with tiles and stuccoes dating from the Rococo period. Presents, in the late Baroque altarpiece, already making the transition to the Rococo.

Small and simple Chapel, with popular architecture typical of the region. Features cross painted mortar and belfry.

Temple inserted into place where they were born many local legends and is now a place of pilgrimage. It features decorative elements.

Baroque chapel, very typical in these temples, in the Alentejo, during the 18th century period.

Chapel of centralized plant with classical design. The chancel features round arch and altar have glass-enclosed dressing room, where are the pictures of Lord Crucified, Lord of the column and Ecce Homo.

Temple that stands out because of the absence of decorative elements.

Chapel with dome cover. The main facade faces South and features simple monumental portal, with rectangular window.